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精神的自我创造在艺术史上的重要性是不言而喻的,艺术家借助以往的历史文化来认识自身与世界的关系,培育自我艺术品格,最终通过自己的作品回报历史,并以这种方式融入历史文化的长河。艺术史就是这样形成了文化共性的河流,不断吸收个性的支流,不断向前延伸,中华民族艺术史正是这样演绎了数千年。本期刊发张卉《龚贤艺术教育思想的人文价值》,龚贤是中国艺术史上一位博学的画家和艺术教育家,他晚年课徒授画的艺术教育之路,贯穿在他的创作和著述中,为中国艺术精神的阐释提供了可能的进路。韩雪松《<画品>中的“比方陆氏,最为高逸”发微》,文章结合魏晋之际艺术精神极其自由的时代背景,通过具体的画论考辨,揭示了才性论盛行对绘画与画论的影响。
The importance of spiritual self-creation in the history of art is self-evident. Using past history and culture, artists recognize their relationship with the world, cultivate their own artistic qualities and eventually return their history through their own works, The long history and culture. This is the history of art, which has formed a river of cultural commonness. It constantly absorbs the tributaries of personality and continues to extend forward. The history of the Chinese nation’s art thus has been interpreted for thousands of years. This issue of Zhang Hui, “Gong Xian value of art education, the humanistic value of education,” Gong Xian is an erudite painter and art educator in the history of Chinese art, his late years teaching apprenticeship art education, running through his creation And writings, which provide a possible way for the interpretation of Chinese artistic spirit. Han Xuesong “ in the For example, the most high-yi ” hair micro ", the article combined with Wei and Jin artistic spirit extremely free background of the times, through the specific painting theory, reveals the prevalence of pride Influence on painting and drawing theory.