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本文以意大利主流报纸上关于噪音与沉默的文章为基础,旨在说明音乐在意大利的城市声景中所起到的作用。由于再生产技术的大规模传播,音乐得以在不同的地方流传,人们也认为音乐是无处不在、绵延不绝的。由是,环境音乐成为城市噪音的一个典型例子,一个可以用来解释声景中的噪音的模式:城市中的噪音和衬托性的背景音乐往往都是不清楚的、无差别的,造成了感觉的丧失。因此,音乐家和作曲家们展开了抗议活动。声音漫步和声音设计等活动,就是想要找回失去的意义:从不和谐的声音中创造出连续、和谐的整体的各种变体,通过对完全的连续性和不连续性的否定,涵义得以产生。当音乐自身产生区别并且从背景中突显出来时,就获得了意义,而这样的音乐和沉默产生了互动。
The article is based on an article on noise and silence in mainstream newspapers in Italy and aims to illustrate the role music plays in the urban soundscape of Italy. Due to the large-scale dissemination of reproduction technology, music can be circulated in different places. People also think music is ubiquitous and endless. As a result, ambient music has become a classic example of urban noise, a pattern that can be used to explain noise in soundscapes: noise and background music in cities are often unclear, indifferent, and sensational The loss. As a result, musicians and composers staged protests. Activities such as strolling and sound design are trying to find out the meaning of loss: to create a continuous and harmonious whole variety from the incompatible voices, and through the denial and completeness of the continuity and discontinuity Produced. When music distinguishes itself and highlights from the background, it gains meaning, and such music interacts with silence.