“文革文学”中对女性形象的塑造多有中性化、政治化、乃至符号化之弊端,本文拟从女性自身内在原因和当时社会外在大环境两个因素加以考虑,以“样板戏”为主要文本窥探当时女性演化为“妇女”直至“战士”最后迷失自我特征的主要原因,从而对当时女性自我定位进行一个反思。 This article tries to consider the inherent causes of women and the external environment of the society at that time, and take “ Model opera ”as the main text to explore the main reason why women evolved into “ women ”until “ soldier ”finally lost their self ’s features at the time, so as to conduct a reflection on the female self - orientation at that time.