《血染海棠红》(1949)(1)和《海棠红》(1955)(2)都是“上海电影大王”张善琨的电影公司创作的影片,但有着几乎完全不同的创作团队和时代背景,后者是前者的翻拍片。它们的相同之处是脱胎于同一个故事,且皆具有浓厚的好莱坞“黑色电影”风格;不同之处在于,翻拍版本(《海棠红》)的叙事更加成熟精炼,但前者(《血染海棠红》)所隐含的时空背景和对小人物命运的关怀,在后者中也不复存在。本文从《血染海棠 “Blooming Begonia Red” (1949) (1) and “Begonia Red” (1955) (2) are both films created by the filmmakers of “Shanghai Movie King” and Zhang Shan-kun but with almost completely different creative teams and times Background, the latter is the former remake. They are all based on the same story and all feature a strong Hollywood “black movie” style. The difference is that the narrative of the remake (“Begonia”) is more mature and refined, but the former Stained crabapple red “) implied in the context of time and space and the fate of the care of the little ones, the latter no longer exist. This article from ”bloody Begonia