论文部分内容阅读
秋光冷露梳骨寒,惟有黄花正烂漫。扬州“八怪”伴“三菊”,自古至今放异彩。扬州“八怪”自不必说了,“三菊”却值得一提。女画家吴砚耕的“画”菊,工艺大师张永寿的“剪”菊。民间艺人钱宏才的“黏”菊,堪称独树一帜,绝矣。以绘菊擅长的著名画家吴砚耕,今年76岁,她十三岁起随父吴笠仙学画,得其精髓,力求创新,精于工笔,以菊为先。在她的画面上,枝叶酣畅淋漓,花朵细腻传神,百种菊花,百种姿态,百种章法,给人以新鲜感。从她早年的《百菊图》画册里,使人领略到自然美与艺术美高度统一、传统技法与现代画风的
Autumn cold dew carding cold, only the yellow flowers are brilliant. Yangzhou “eight strange” with “three chrysanthemums”, since ancient times to put on color. Needless to say, “Three Kinds of Flowers” in Yangzhou is worth mentioning. Female painter Wu Yangeng “painting” Chrysanthemum, craft master Zhang Yongshou “cut” chrysanthemum. Folk artist Qian Hongcai “sticky” chrysanthemum, 堪称 unique, absolutely carry on. Wu Yangeng, a famous painter who is good at painting Daisy, is 76 years old this year. She started painting at the age of 13 with his father Wu Zhaoxian and won the quintessence of innovation. In her picture, the leaves hearty, delicate flower expressive, a hundred kinds of chrysanthemums, a hundred kinds of attitude, a hundred kinds of rules, gives a fresh feeling. From her early album, “Hundred Chrysanthemums”, people appreciate the high degree of unity between the natural beauty and the beauty of the arts, the traditional techniques and modern style of painting