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当雏鸡从蛋壳中跳出时,它便给了我们一个启示:生命的意义在于突破。同理,各类艺术的青春和生命、也在于不断地突破原有的艺术框架,超越原有的艺术形态,作为综合艺术的电影更是如此。没有突破,艺术的青春和生命就会萎缩,失去光彩。电影《红高粱》的问世就再次形象地说明了这一艺术真谛。《红高粱》在西柏林国际电影节上荣获“金熊奖”既是艺术幸运儿的偶然,同时,又是勇于创新的开拓者的必然。《红高粱》既是中西文化融于一炉的结晶,又是导演张艺谋对中国传统电影艺术奋力突破的结果。首先,《红高粱》撕掉了温情脉脉的面纱,展现了
When the chickens jump out of the shell, it gives us a revelation: the meaning of life is to break through. By the same token, the youth and life of all kinds of art are also constantly breaking through the original art framework and transcending the original art forms. This is especially the case with the films of integrated art. Without a breakthrough, art’s youth and life will shrink and lose its luster. The advent of the film “Red Sorghum” once again vividly illustrates the true meaning of this art. “Red Sorghum” at the West Berlin International Film Festival won the “Golden Bear Award” is both an art lucky coincidence, at the same time, it is inevitable brave innovators. “Red Sorghum” is not only the crystallization of Chinese and Western cultures, but also the result of director Zhang Yimou’s breakthrough in traditional Chinese film art. First of all, “Red Sorghum” tear off the veil of tenderness, demonstrated