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提到影视艺术,当今国人能引以自豪的“品牌”似乎已不算少了。尤其是张艺谋和陈凯歌执导的几部——《霸王别姬》获法国嘎纳国际电影节金棕榈大奖;《大红灯笼高高挂》获意大利威尼斯国际电影节银狮奖;《红高粱》获德国柏林国际电影节金熊奖;《活着》获法国嘎纳国际电影节评委会特别奖;同时,《大红灯笼高高挂》和《菊豆》还获得奥斯卡金像奖最佳外语片提名。一个国家的电影在过去十多年内获得这么多奖项和殊荣,这不仅是以往的中国没有的,在世界其他
When it comes to the art of film and television, there seems to be no shortage of “brands” that people today can pride themselves on. In particular, Zhang Yimou and Chen Kaige directed several - “Farewell My Concubine” won the French Cannes International Film Festival Golden Palm Award; “Red Lantern hanging” won the Venice International Film Festival Silver Lion; “Red Sorghum” by Germany Berlin International Film Festival Golden Bear Award; “Alive” won the Cannes International Film Festival Jury Prize; the same time, “Raise the Red Lantern” and “Daisy beans” also won the Academy Award for Best Foreign Language Film nomination. A country’s movie has won so many awards and honors over the past decade or so, not only in the past but not in the rest of the world