陕北说书是陕北地区广泛流传的曲艺形式,在20世纪40年代至80年代曾经受到政府的扶持和学界的关注。现阶段是陕北说书两种表演形式并存的时期,一种是表演者自弹自唱的坐场书,表演主体是盲艺人;另一种是唱奏分开的走场书,表演主体是明眼人。本文以参与同一次庙会中的两种说书表演为基本材料,对陕北说书的不同表演方式进行分析,并简要评述陕北说书的发展得失。 Northern Shaanxi storytelling is a widely circulated folk art form in northern Shaanxi. It was once supported by the government and scholars in the 1940s and the 1980s. At this stage, there are two forms of performance in northern Shaanxi story coexistence period, one is the performer self-playing seat book, the performance of the main body is a blind artist; the other is to sing a separate walk-in book, the main actor is a discerning eye . Based on the two kinds of storytelling performances at the same temple fair, this essay analyzes the different ways of performance of the story in northern Shaanxi and briefly reviews the gains and losses of the story.