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具有悠远文化特征和综合表现形式的绘画艺术,由于才创作者宗教信仰、文化地域、个人性格的不同,而显现出多元发展的特征,反映在艺术家创作作品具体“图式”也各不相同。这样艺术史就出现不同的流派、风格及不同的图式体系。中西方文化历史背景不同,自然就出现了不同的审美体系。本文就意象图示自由空间构图法的画面风格特点,“意象油画”的概念,两种语汇的融合方法等,提出了自己的研究体会和观点。
The art of painting, with its distant cultural features and comprehensive expressions, shows the characteristics of pluralistic development due to the differences in the religious beliefs, cultural regions and personalities of the creators. It is also reflected in the specific “schema” of the artist’s creative works the same. This art history appeared in different genres, styles and different schemata. Different historical backgrounds of Chinese and Western cultures naturally lead to different aesthetic systems. In this paper, we present our own research experiences and perspectives on the pictorial features of the free-space composition method, the concept of “imagery painting” and the fusion of the two kinds of terminologies.