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20世纪90年代从女性文学的角度看,可以说是一个个性极其张扬的年代,秉承80年代女性文学的光荣,90年代女性文学走向了梦想。90年代的女性作家们,不再像以往时代的女性作家们那样忌讳或惧怕自己的女性符号,而是以她们独有的深刻的女性人生体验,“沿着一条边缘的路径潜心行走,并进而向文化的中心地带迂曲徐缓渗透,执拗揭密解说着一部人性或说是女性的心灵史。”(徐坤《双调夜行船》)
In the 1990s, from the angle of the female literature, it can be said that it is an extremely publicity age, adhering to the glory of the female literature in the 1980s, and the female literature in the 1990s turning to the dream. Women writers of the 90s no longer taboo or fear their own female symbols as the female writers of past times did. Instead, they experience, with their unique and profound feminine life experiences, “walking along a marginal path and further To the cultural center of the tortuous Xu slow infiltration, stubbornly reveal a history of human nature or female psychology. ”(Xu Kun“ double-toned night boat ”)