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新中国成立以来,中国连环画的发展承载着几代人的记忆,那些耳熟能详的“小人书”触碰着人们内心的情愫。中国美术出版总社总编辑林阳有着三十余年的出版从业经历,是中国连环画大历史的见证人与参与者。近日,笔者就中国连环画的历史变迁和发展方向采访了林阳。王明(以下简称王):新中国成立后,国家十分重视连环画的发展,经历过几次高峰,请您谈谈新中国连环画发展的过程。林阳(以下简称林):确切地说,从1948年开始,一批新连环画已经面世,如刘继卣绘的《鸡毛信》等等。1949年至1956年,这一段时间内出版
Since the founding of New China, the development of comic books in China carries memories of generations of people. Those familiar people’s books touch the inner feelings of people. Lin Yang, editor-in-chief of China Art Publishing House, has more than thirty years of publishing experience and is a witness and participant in the great history of Chinese comic books. Recently, I interviewed Lin Yang about the historical changes and development directions of Chinese comic books. Wang Ming (hereinafter referred to as Wang): After the founding of new China, the state attaches great importance to the development of comic books, has experienced several peaks, please talk about the development of new China comic book process. Lin Yang: Specifically, a series of new comic books have been published since 1948, such as the “chicken feather letter” painted by Liu Jixuan and so on. 1949 to 1956, published during this period