在线条用笔方面,王菊生先生也自谓与传统“反其道而行之”。他认为:“中国画传统的线描无论哪种风格,都有一个共同的特征,都是讲究用笔轻重有按捺,笔与笔之间相连结处,气脉贯通,流畅飘洒,讲究连贯呼应,浑然—体,一气呵成”。而他则“强调线条的挺直、方硬、断离、刚正,强调骨力”。他运用粗细一致的铁线,在服从于造型的同时,还突出线条自身的力度美感, In terms of pen, Mr. Wang Jusheng also claimed that with the traditional “opposite”. In his opinion: “Traditional style of Chinese painting no matter what style, have a common characteristic, are stressful with pen weight control, the link between the pen and the pen, Qi pulse through, smooth floating, pay attention to coherence, Full - body, one go ”. And he “emphasize the straight lines, square hard, off, just, emphasize bone strength ”. He uses the same thickness of wire, subject to the shape at the same time, but also highlight the strength of their own lines of beauty,