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洮岷“花儿”作为一种群众自发的民间艺术形式,在数百年的演唱和流传过程中,已经融入了当地人民的生活,得到群众的强烈认可。目前,它的文化个性被商业性覆盖,变得异常模糊。在现实生活中的传承也随着文化空间和传承方式的转换、城镇化的推进和普及而逐渐异化,传统文化的意蕴逐渐消失。它在现实生活中的功能随着社会发展而变化,从以往的表现时政、表达爱情的悲欢离合、心理治疗、教育、文化认同等功能趋向演唱功能的功利性转变。“花儿”在发展中紧跟时代步伐,捕捉时代气息,在创新中延续,在变化中发展,具有一定的时代适应性。
As a spontaneous folk art form, the people of “Min Hua”, “Flower”, have been integrated into the lives of local people in the process of singing and circulating for hundreds of years and have been strongly recognized by the masses. At present, its cultural identity is commercialized and becomes very vague. The inheritance in real life also gradually alienated with the transformation of cultural space and inheritance, the promotion and popularization of urbanization, and the disappearance of the meaning of traditional culture gradually. Its function in real life changes with the development of society. From the past performance of politics, expression of the joys and sorrows of love, psychotherapy, education, cultural identity and other functions tend to utilitarian changes in singing. “Flower ” keeps pace with the times in the development, captures the atmosphere of the times, continues in the innovation, develops in the change, has certain times adaptability.