曾有“配角大师”之称的赵子岳,晚年盘点自己所塑造的银幕形象,谦逊地表示在所创造的40多个银幕形象中“只有几部在观众中留下印象”:五十年代的《新儿女英雄传》《青春之歌》《红旗谱》和六十年代的《停战以后》《锦上添花》《暴风骤雨》《小二黑结婚》,除一个主角外,其余皆是配角,犹如他演戏与做人的写照,虽居于陪衬地位却依然熠熠闪光。 Once upon a time, Zhao Ziyue, who was once known as the “supporting protagonist,” made an inventory of his created screen image in his later years and said modestly that “only a few of the 40 screenmasters he created” impressed the audience: “Five The ”new heroine biography“ of the decade, ”Youth Song“ ”red flag“ and the sixties ”after the armistice“ ”icing on the cake“ ”storm“ ”young two black marriage", in addition to a protagonist, the rest are supporting roles, Like his portrayal of acting and being a human being, he is still shining brightly in the background.