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中国传统美学以其特有的、丰富多样的形态,映射出中华民族心灵的方方面面,具有鲜明的民族特色。本文拟以几首极具传统音乐特色的钢琴作品为例,对中国钢琴音乐演奏中所渗透的几个具有代表性的传统美学思想——“中和”观、“气韵”说、“意境”论进行研究,从而进一步挖掘中国钢琴音乐中所蕴含的传统美学思想及文化精神,以期能够进一步完善和丰富钢琴艺术理论。
With its peculiar and rich variety, Chinese traditional aesthetics reflects all aspects of the soul of the Chinese nation and has distinctive national characteristics. This article intends to take several piano works with traditional music characteristics as an example. This article attempts to discuss several representative traditional aesthetic ideas permeated by Chinese piano music performance, such as “neutralization”, “atmosphere” , “Artistic Conception” theory, so as to further explore the traditional aesthetic thoughts and cultural spirit inherent in Chinese piano music, with a view to further perfecting and enriching piano art theory.