本文以新历史主义视角解读《囚鸟》,通过分析文本中对历史人物形象的偏离,元小说叙事技巧的运用以及用个人小历史替代宏大叙事,来探讨小说所表现的历史真实与文学虚构之间的距离与张力,充分挖掘《囚鸟》中所体现的“历史的文本性”特征。 This article interprets the “prisoner bird” from the perspective of neo-historicism and explores the historical truth and literary fiction presented by the novel by analyzing the deviation of the historical figures in the text, the use of narrative techniques in metafiction, and the substitution of grand personal narratives for grand narratives Between the distance and tension, fully tap “prisoners” in the “historical textual” features.