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自古以来自然山水作为一种审美形态,是文人雅士创作的一大灵感来源。山水被赋予了联系感情、愉悦心智的重要价值,山水审美活动也作为主要的审美实践受到重视。明末清初士人在山水审美上较前人更加热烈,无论是作品的数量还是内在的游踪记录、景物描绘、抒发情感等,均比前人有更出色的表现。因此明末清初的游
Since ancient times, natural landscape as an aesthetic form, is a great source of inspiration for literati. Landscape has been given the emotional contact, the important value of pleasure, landscape aesthetic activities as the main aesthetic practice has been valued. In the late Ming Dynasty and the early Qing Dynasty, scholars were more enthusiastic than their predecessors in the aesthetics of landscapes. Both the number of works and the inherent tracking records, the portrayal of scenery and the expression of emotion were all better than the predecessors. Therefore, the Ming and early Qing tour