自1979年中国当代艺术发生开始,整个1980年代中国新艺术家的雄心在于以欧美现当代艺术为参照进行自我改造。记得当年“新潮美术”的艺术家风云人物谷文达在《中国美术报》上表明自己的奋斗目标,是要成为西方艺术世界的“先锋派”。进入1990年代,中国当代艺术的宏大叙事随着中国社会的经济市场化进程逐步瓦解,中国当代艺术开始关注自身的文化需求。美术批评家栗宪庭的 Since the dawn of Chinese contemporary art in 1979, the ambition of Chinese new artists throughout the 1980s has been to rebuild themselves in the light of modern and contemporary European and American art. I remember when Gu Wen-da, an influential figure in “Trendy Art,” expressed his goal in the “China Art Newspaper” to become a “vanguard” in the western art world. Into the 1990s, the grand narrative of Chinese contemporary art With the gradual collapse of the process of economic marketization in Chinese society, Chinese contemporary art began to pay attention to its own cultural needs. Art critic Li Xianting