“白釉青花一火成,花从釉里透分明”。产生于宋代的青花瓷是绘画艺术与日常用具的完美结晶,白釉青花配上纹饰以及人物、花鸟、山水、走兽、龙凤、图案等等内容,不仅无不相宜,而且清新明丽、庄重大方,有着单纯水墨绘画所没有的特殊艺术魅力。王镛素以水墨山水闻名于世,这件由他绘制的青花瓷瓶虽然在绘制方法和材料使用上与正常的作品有所不同,但显然王镛对于把水墨转换成青花的把握是了然于胸的。经过瓷釉和烧制工序之后,依然水路清晰、主次分明、潇洒舒展,有着强列的节奏感和层次对比。另外,如王镛其他的山水画一般,这件青花作品也是取一种较满的构图,但墨彩与釉面的效果相映成辉,焕发着青翠欲滴的特殊效果,画面在沉着淋漓中泛 “White glaze blue and white fire, flowers from the glaze thoroughly clear ”. Produced in the Song Dynasty blue and white porcelain is the perfect crystallization of the art of painting and daily appliances, white glazed blue and white with ornamentation and figures, flowers and birds, landscapes, beasts, dragons, patterns and so on, not only all appropriate, but also fresh and bright, solemn and generous, Ink painting is not the special artistic charm. Wang Su-Su ink and water landscape is famous around the world, this blue-and-white porcelain painted by him although the drawing methods and materials used with the normal work is different, but apparently Wang Ying for the ink to convert to blue-green grasp is clear in the chest . After the enamel and firing process, the water is still clear, primary and secondary clear, carefree stretch, with a strong sense of rhythm and level contrast. In addition, such as other landscape paintings Wang Wang general, this piece of blue-and-white works is to take a full composition, but ink and glaze effect phase shine, glow green dripping special effects, the picture in the calm dripping in the pan