对于雕塑家杨振荣几十年创作的众多作品,我只是寻思着如何以感知的方式进入他的艺术空间作一番想象的邀游。如果以下三点仍摆脱不了“论”的感觉的话,也纯属一种无意识的行为。首先是空间性:每一件雕塑作品都以不同的方式占据空间,不管是块状的叠加,还是线形、几何形的侵入,对空间的承载难以回避,这种承载不仅仅指体量,同时,还体现作品与空间的关系,但不是惟一的关系。“海眺”这件作品不是将空间作为独立的背 For the many works that sculptor Yang Zhenrong had created for decades, I just wondered how to enter into his art space to make some imaginative invitations in a sensuous way. If the following three points are still unable to escape the “theory” of the feeling, it is purely an unconscious behavior. The first is the space: Each piece of sculpture occupy space in different ways, whether it is a block-like overlay, or linear, geometric intrusion, the bearing of the space is unavoidable, this bearing not only refers to the volume, at the same time , But also reflects the relationship between works and space, but not the only relationship. “Sea View” this piece of work is not the space as an independent back