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一书法对文学的影响由于历史的惯性,明初文化为元之余波。永乐年间,朱棣颇重文治,召文人墨客聚集朝廷编纂《永乐大典》。在书法上重沈度、沈粲兄弟,谓之『我朝羲、献』,一时台阁内外趋之若鹜;在科举上,将朱熹等所注《四书》,《五经》颁布天下,为惟一的科举考试内容,于是理学大兴。继之以『三杨』为首的阁臣文风笼罩朝野,至此书法、诗文『台阁体』形成。之后,明代书法和诗文的发展可分为四个阶段:
The Influence of a Calligraphy on Literature Due to the inertia of history, the culture of the early Ming Dynasty became the aftermath of the Yuan Dynasty. Yongle years, Zhu Di pays great attention to the rule of mankind, called the literati gathered at the court to compile “Yongle ceremony.” In calligraphy, he resurfaced his brother Shen Shen and called it “I give thanks to Xi and offer sacrifices.” At this moment, both the inside and outside of Taiwan Pavilion are all the same. In the imperial examinations, the imperial examinations such as the “Four Books” and “The Five Classics” Examination content, so science Daxing. Followed by the “Three Youngs” headed by the cabinet style enveloped the ruling and opposition, so calligraphy, poetry “Taiwan Pavilion body” formed. Later, the development of calligraphy and poetry in Ming Dynasty can be divided into four stages: