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文学对于生死的追问始于何时?由于神话和传说都已太久远,没法作出确定的考证。我们只能说,自有文学以来,生与死常常是传统文学的基本主题选择之一,是历来文学开掘不尽的素材宝库,如同“爱”在文学中的地位一样,总是那样激动人心,常写常新。至于文学对于生死的探索已达何种深广程度?不妨质言之,举凡题材、人物、思想、主题抑或是神话、诗、戏剧、小说、散文,都与人生的生死有着不解之缘。文学史上写生死者可谓汗牛充栋,数不胜数。仅一部《史记》,在112篇人物传记中,涉及生死、自杀、他杀内容的便达70篇。而庄子式的超脱(“方生方死,方死方生”);孔子的规避(六合之外,存而不论);
When does literature begin to question life and death? Since myths and legends have been too long, it is impossible to make a definite research. We can only say that one’s life and death have always been one of the basic theme choices of traditional literature ever since their own literature. They have always been the treasures of literature that have traditionally been unearthed in literature, and are always as exciting as the position of “love” in literature , Often write often new. As far as the exploration of life and death is concerned, what is the depth and breadth of the exploration of life and death? Let’s take it as an example that all subjects, characters, thoughts, themes, or myths, poems, plays, novels, and essays have a life-or-death relationship with life. The history of literary sketches can be described as numerous, numerous. Only a “Historical Records”, in 112 biography biography, involving life and death, suicide, he killed nearly 70 of the content. And Zhuangzi-style detached (“Fang Sheng Fang Fang, Fang Fang Fangsheng”); Confucius to avoid (save beyond, save regardless of);