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在清初特定时代语境中,遗民曲家们为了传达其复杂而幽微的文化心态,往往在戏曲创作中采用虚拟“故国”意象、寓言和女性关照等书写策略。“故国”意象是政治伦理在清初遗民曲家心中的自觉内化,寓言旨在张扬他们作为遗民的个性价值,而女性关照则凸显他们“赏才”和“伤才”相交织的复杂、矛盾心态。这是清初特定时代思潮在遗民戏曲中的多层面折射,从而使其戏曲创作展现出不同于元明戏曲的独特文学风貌,值得进一步深入研究。
In the context of a specific era in the early Qing Dynasty, the songwriters of the descendants often used writing strategies such as the image of the “homeland”, allegories and the care of women in the creation of the opera in order to convey their complex and subtle cultural mentality. The image of “country” is the conscious internalization of political ethics in the minds of songwriters in the early Qing Dynasty. The fables aim to publicize their individual values as the descendants, while the women ’s attention highlights their “rewarding talents” and " Interwoven complex, contradictory attitude. This is a multi-level refraction of the thoughts of a specific era in the remnants of the early Qing Dynasty, which makes its drama creation show a unique literary style different from that of the Yuan and Ming dynasties. It deserves further study.