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本文从绘画“经营布局”角度入手,以仇英的山水画作为突破口,经图像分析发现其绘画曾运用画面中各个物体形状之间的相互指引,产生了连接关系;同时将画面因素直接参与到章法布局的构置之中,还应用了园林艺术中的移步换景法为画面产生了导引链接关系。因此笔者认为研究和学习仇英绘画中由视觉产生的一系列导引关系,对我们进一步理解和研究中国山水画中的“龙脉”思想理念提供了思路和方法。
Starting from the perspective of painting “management layout ”, taking Qiuying’s landscape paintings as the breakthrough point, the image analysis finds that the painting has used the mutual guidance between the shapes of the objects in the picture to generate the connection relationship; at the same time, the picture elements are directly involved Chapter layout of the layout of the structure, but also the application of the landscape art of the step-by-step method for the screen generated a link to guide the relationship. Therefore, I believe that studying and studying a series of visual guidance in Qiu Ying’s painting provides us with ideas and methods for us to further understand and study the idea of “dragon pulse” in Chinese landscape painting.