在塞尚的创作中,风景也是他反复探求永恒秩序的对象物。按美术史研究的情形来看,塞尚晚年的绘画创作观念应该是较为成熟,并且是具有代表性的,因此,我们可以选取其晚年的风景画创作“圣维克多山”系列,来揭示塞尚对内在秩序的追求,以及他对内在秩序的理解和定义。1.制造结构为了便于作画,塞尚于1901年在艾克斯北方的雷罗威小镇(Les Lauves)购买了两层楼房作为工作 In Cezanne’s creation, the scenery is also the object of his repeated search for the eternal order. According to the study of the history of art, Cezanne’s painting ideas in his later years should be relatively mature and representative. Therefore, we can select the landscape painting of his later years, “Saint Victor Mountain” series, To reveal Cezanne’s pursuit of the inner order and his understanding and definition of the inner order. 1. Fabrication For the sake of painting, Cezanne bought a two-story building as work in 1901 in Les Lauves, a town north of Aix-