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通过对汪立三先生的《东山魁夷画意》组曲的第一首《冬花》的分析,深度剖析这首音乐中涉及的调式——日本都节调式,并着重观察都节调式和西方和声手法的运用的结合,从而从调式运用方面对汪立三先生的创作手法进行进一步的了解,也对分析较少的日本都节调式有一个从作品而不是从理论出发的更为深刻的认识。
Through the analysis of the first “winter flower” of Mr. Wang Lisan’s “Dongshan Kui Yi Yi Yi” composition, this paper analyzes in depth the modulation style of this piece of music, the Japanese verse and the emphasis on the synchronic and western harmony techniques The combination of the use of the modalities to further understand Mr. Wang Lisan’s creative techniques, but also a more profound understanding of the works from the works rather than from the theory for less analyzed Japan.