论文部分内容阅读
贾樟柯把电影从电影棚里解放出来,从宏大的具有粉饰色彩的伪真实中解放出来,在他的电影世界里,我们看到的是生活的本身,影内影外都是现实生活,一种真实的可以触摸的生活实体。
Jia Zhangke liberated the movie from the studio and was liberated from the grand, whitewashed pseudo-realism. In his film world, we see the life itself, the inside and outside of the movie are real life, a Real touch living entity.