一个成功的剧本,搬上舞台,演出效果好否?与演员好否?导演好否?成正比。好演员,本身可以是导演;好导演,能够把不太好、但有好条件的演员的戏“导”出来,使演员水平提高。什么是好导演?好导演应该起“画龙点睛”的作用,而非“画蛇添足”、“狗尾续貂”。近些年来,导演中属于后者的不少。某些享有“名导演”誉称的人,不是就剧本提供的内容“导”戏,而是在剧本内容之外“加”戏。甚至所加的戏,与剧本毫无关连。还会把演员当成“符号”、“棋子”,不顾剧情和角色,随意摆布。戏曲演员,尤其演历史剧,要穿厚底靴,最怕上平台。他们却连三并四地用,还独出心裁地用 A successful script, onto the stage, the performance is good or not? And the actor is good or not? A good actress, in itself, can be a director; a good director can “steer” the not-so-good but well-conditioned cast of the actor and raise the performer’s level. What is a good director? A good director should play a “finishing touch” role, rather than “superfluous”, “dogtail ferret.” In recent years, the director belongs to the latter a lot. Some people who enjoy the reputation of “director” are not “leading” to the content provided in the script, but to “add” to the play outside of the script. Even the added drama, nothing to do with the script. Will actress as a “symbol”, “pawn”, regardless of plot and role, at your mercy. Drama actors, especially historical drama, wear thick-soled boots, the most afraid of the platform. They are used in all directions, but also used exclusively