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戏曲是文人雅士抒发思想感情的重要载体,加之其代言的特点,使曲家刻画塑造剧中人物形象的过程很大程度上是自己心志的抒发过程,可以说,曲家所钟爱的形象亦是他们自我形象与思想的化身。明清之际,杭州才女冯小青的故事广为人所关注,以之为素材进行的戏曲创作也很丰富,至今依然存世的中国作品就有七部。小青出现在不同的曲作中,她的角色设置与形象塑造很具有代表性,在对她的形象的分析中,我们能够触摸到曲家思想的细微之处,发掘她的文化思想内涵,完成与明清文人在文化思想上的跨时空对话。
The opera is an important carrier for the literati to express their thoughts and feelings. In addition to the characteristics of his endorsement, the process by which the composer portrays and shapes the characters in the play is largely the process of expressing his own feelings. It can be said that the favorite image of the composer Their embodiment of self-image and thought. On the occasion of the Ming and Qing Dynasties, the story of Feng Xiaoqing, a talented woman in Hangzhou, became widely publicized. The operas for the opera were also very rich. There are still seven Chinese works that still exist in the world. Xiaoqing appeared in different songs, her role setting and image shaping are very representative. In her analysis of the image, we can touch the subtleties of the songist thoughts, discover the connotation of her cultural thoughts, Complete Dialogue with the Literati of Ming and Qing Dynasties on Cultural Thoughts.