论文部分内容阅读
以“土洋并存”为文化背景,以李双江中西结合的典范作品为例,对李双江歌唱技法的形成和“中西合璧”的具体表现两个方面进行分析,论证了李双江的歌唱艺术是西洋唱法的民族化,是民族文化对西方艺术的溶解,是中国唱法的发展。
Taking “the coexistence of the earth and the sea” as the cultural background, this paper analyzes the formation of Li Shuangjiang ’s singing technique and the concrete manifestation of “Chinese and western combination” with the typical works of Li Shuangjiang and West. It demonstrates that the singing art of Li Shuangjiang is Western singing Nationalization is the dissolution of western art by national culture and the development of Chinese singing style.