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李渔是明清时期戏剧理论的重要人物,提出了戏剧舞台实践的重要观念,收入《闲情偶记》一书。但在《闲情偶记》其他篇章:声容部、居室部、器玩部、饮馔部、种植部、颐养部中大谈装饰、风水、饮食、享乐。无不体现在一个“闲”字之上。在现代人去除本我的劳作中,越来越偏离了人之为人的本质所在。回归复古这种道德纯洁、无功利性的“闲”情文化越发引人深思。
Li Yu is an important figure in drama theory in the Ming and Qing Dynasties. He put forward the important concept of the drama stage practice, and his book “Leisure Couples”. However, in the other chapters of “Xianqing Oujian”: Shengrongbu, Jujubu, Wanjuebu, Yincuizhuan, Planting Department, the Ministry of Conservation in the decoration, feng shui, diet, pleasure. All are reflected in a “idle ” above the word. In the present work of removing the people from the present, more and more deviates from the essence of human being. Return to retro this kind of moral purity, non-utilitarian “Leisure ” Love culture more and more thought-provoking.