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对审美现代性的探讨是当前文学研究界的一个热门话题。这一理论在当下虽得到广泛运用,但以审美现代性的有效视角对新时期戏剧做出综合考察的研究依旧欠缺。本文尝试将新时期戏剧置于审美现代性的场域中,从对“人”的境况的关注、有意味的形式及“内向化”审美追求三个方面展开论述,探索新时期戏剧在审美现代性领域中获得的崭新的阐释空间,显示新时期戏剧在中国戏剧发展中的意义。
The discussion of aesthetic modernity is a hot topic in the current literature research community. Although this theory has been widely used in the present, the research on the comprehensive study of the drama in the new era with the effective perspective of aesthetic modernity is still lacking. This article tries to put the drama of the new period in the field of aesthetic modernity, discussing from three aspects: the situation of "human ’, the form of meaning and the aesthetic pursuit of The brand-new interpretations of drama in the field of aesthetic modernity show the significance of drama in the development of Chinese drama in the new period.