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盆景创作是一个弃丑示美的艺术取舍过程,如何剔除丑的、使美的部位凸现出来,看似简单,实则需要创作者能慧眼识珠并有非凡的艺术修养。美与丑互为依存,美往往隐藏于丑、凌乱之中,剔除糟粕和累赘,美自然显现出来。但如胸无成竹,贸然动手,又很可能会过犹不及,多剪一枝而致全树灵气顿失。艺术创作的道路上往往是失之毫厘,谬以千里,现根据台湾郑诚恭大师对一海芙蓉的创作过程,让我们去感受大师对取与舍的理解及其非凡的艺术功底。
Bonsai creation is a discarding ugly show of art choice process, how to remove the ugly so that the United States highlights the site, seemingly simple, but in fact need creators to know the beads and have extraordinary artistic accomplishments. Beauty and ugliness depend on each other. Beauty is often hidden in ugliness and messyness. Except dross and cumbersomeness, the United States naturally manifests itself. However, if there is no such thing as a dead man’s hand, it is very likely that it will be too far before it can be achieved. Art creation is often the slightest loss on the road, absurdly thousands of miles, is based on the Taiwan Cheng Cheng Gong master a sea of Hibiscus creative process, let us feel master understanding of take and homes and its extraordinary artistic skills.