电影是一门视听艺术,语言是电影刻画人物、表情达意的重要手段,自从有声片诞生以来,语言几乎成为电影不可或缺的部分。但是韩国导演金基德却反其道而行之,令他影片中的人物大部分处于“失语”状态,并且,他的“失语”状态并没有让影片本身失色,而是更富意味,这也开创了金氏独特的艺术风格,更成为他电影的标签。金基德的处理方法为什么能够获得成功呢?究其原因,金氏在处理自己的作品时已化身一位伟大的精神分析大师。本文则将从拉康的主体发展理论和欲望理论方面来对金基德的“失语”状态进行解读。 Film is an audio-visual art. Language is an important means of depicting characters and expressing emotions in movies. Since the birth of the sound film, language has become an indispensable part of the film. However, South Korean director Kim Ki-dao did so in the opposite direction, leaving most of his characters in a state of “aphasia,” and his “aphasia” state did not discredit the film but rather enrich it , Which also created King’s unique artistic style, but also become the label of his movie. Why Jin Kee’s approach to success? The reason for this, Jin’s handling of his work has been transformed into a great master of psychoanalysis. This article will interpret Kim’s “Aphasia” from Lacan’s subject development theory and desire theory.