顾长卫在注重影片深刻的人文关怀的同时通过对生活在社会底层的边缘人命运变化的表现来表达对当时处于社会转型期的国人的生存及人性的审视。一、顾长卫电影独特视角下的寓意顾长卫的电影创作的文化蕴意不止停留在美与丑、善与恶的冲突之下,更着力于发掘藏于社会现实背后的人性。与同一时期的导演选择宏大的叙事不一样,顾长卫选择将自己的视角放在社会底层弱势群体的身上。对于表现社会边缘人物的电影也不少见,然而像 Gu Changwei paid much attention to the film’s profound humane care while expressing his views on the survival and human nature of the people who were in the process of social transition through the changes in the fate of marginalized people living in the bottom of society. I. Gu Guowei’s Implications under Film’s Unique Perspective Gu Changwei’s cultural connotation of filmmaking is not only in the conflict between beauty and ugliness, between good and evil, but also on exploring the human nature hidden behind the social reality. Unlike the grand narrative chosen by the director in the same period, Gu Changwei chose to place his perspective on the disadvantaged groups at the bottom of society. It’s not uncommon for movies that show the margins of society, however