沃尔夫继承了早期浪漫派关于社会正当性缺失和神话的合法性功能的讨论,并将其视为文学创作的出发点;她从对旧神话的回溯中,获取其革新的潜能,将“新神话”的理念巧妙地诗学化在卡桑德拉的自我意识和个体形成过程中,借用卡桑德拉的视角重新书写了特洛伊战争,藉此针砭德意志民族之弊;同时,她对固化不变的美学习惯以及由此导致的诗学语言表现力的折损进行了深刻的批判,积极主张建构结构开放、具有多义性、主体性和创新性的美学形式,在作品中完美地践行了她一直倡导的“主观真实性”的写作诉求。 Wolff inherited the discussions of the early Romanticists about the legitimacy of the lack of social legitimacy and mythology, and regarded it as the starting point of literary creation. From the backtracking of the old mythology, Wolf acquired the potential of her innovation, New mythology “clever poetics in Cassandra’s self-awareness and individual formation process, borrowed Cassandra’s perspective to rewrite the Trojan War, in order to pinpoint the detrimental to the German nation; the same time, she was right Solidified aesthetic habits and the resultant loss of poetic language expressiveness were deeply criticized, and actively advocated the construction of an open structure, with a polysemy, subjectivity and innovative aesthetic form, in the works perfectly Practicing what she always advocated ”subjective authenticity " writing appeal.