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当代各类艺术的兴盛,使陶瓷绘画艺术逐渐得到更多的关注,然而作为新兴艺术,在发展进程中呈现出诸多需要思考和解决的问题。本文通过与中国画的发展相比较以及从中西方对艺术认知的共性出发,在清晰地梳理当代陶瓷绘画艺术现状的同时,作出客观的生态剖析,从而提出对该艺术价值判断的建设性意见。一、中国近现代陶瓷绘画艺术的承启清末民初,伴随着封建帝王体制的衰微,官窑陶瓷也从历史飞鸿中逐渐消亡,而民间陶瓷的生产与创造还依然延续着生生不息的千年窑火,并孕育着新的陶瓷艺术瑰宝。此中贡献当首推景
The flourishing of all kinds of contemporary art has gradually drawn more attention to the art of ceramic painting. However, as the emerging art, there are many problems that need to be considered and solved in the development process. Based on the common development of Chinese painting and the cognition of the arts between China and the West, this paper makes an objective ecological analysis while clearly combing the current state of the art of ceramic painting, and puts forward constructive suggestions on the artistic value judgment. First, the Chinese modern ceramic painting art Cheng Kai At the end of the Qing Dynasty, accompanied by the decline of the feudal emperors system, official kiln ceramic also gradually disappear from the history of Feihong, while the production and creation of folk ceramics still continue the endless millennium Kiln fire, and gave birth to a new ceramic art treasures. This contribution as the first push King