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本文通过分析《他的国》结尾左小龙被围观群众所煽动而跳楼的情节,认为在这一情节中围观群众的形象既有着传统的启蒙意味,也暗示了生命的孤绝状态。同时,左小龙跳楼的选择也可视为韩寒创作转变的一种隐喻。
By analyzing the plot of left dragons being jumped off by the onlookers at the end of “his kingdom,” this article argues that the image of the crowd in this episode not only has the traditional enlightenment meanings but also implies the loneliness of life. At the same time, the choice of left dragons jumping floor can also be regarded as a metaphor for the transformation of Han Han’s creation.