昆曲的独占鳌头阻碍了《宝剑记》在明代的流传,但是戏曲选本的改编使得《宝剑记》中有限的几出戏尤其是其中的几个曲牌在明代得到了较为广泛的传播。从接受的角度来说,明代中期和后期的戏剧界给出了正反两极的评价,双方都存在着误判。《宝剑记》在明代的传播又得益于与当时社会非主流文化思潮的暗合。 The dominance of Kunqu Opera hindered the spread of Poetic Records in the Ming Dynasty, but the limited number of operas in Poetic Records, especially the few songs in the Poetic Records, were widely disseminated in the Ming Dynasty. From an acceptance point of view, the theater industry in the middle and later Ming dynasties gave a positive and negative assessment, and both sides were misjudged. The dissemination of “Poetic Records” in the Ming Dynasty also benefited from the coincidence with the non-mainstream cultural thoughts in the society.