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西方作曲技术理论在京剧现代戏创作中的实践与运用,早先出现在建国初期,真正意义上的创作运用是在六四年后,以及文革十年中,其代表作《红灯记》《智取威虎山》等八个样扳戏。其后京剧现代戏《海港》《杜鹃山》《红色娘子军》更是在八个样扳戏的基础上有所突破,这种结果的形成与当时的历史背景密不可分,由于专业院团的作曲家,指挥家和戏曲表演艺术家的联手,形成了一种前所未有的创作模式与壮态,这种模式应用至今。
The practice and application of Western composer theory in the creation of modern opera in Peking Opera appeared earlier in the founding of the People’s Republic of China. In the true sense, the creation and application of the Western composer theory came after 64 years and during the 10 years of the Cultural Revolution. Its masterpiece “Red Lantern” Hushan “and other eight like play. The subsequent opera ”Harbor“, ”Rhododendron Hill“ and ”Red Detachment of Women" also made breakthroughs on the basis of eight sample plays. The formation of this result was inextricably linked with the historical background at that time. Since the composer , Conductors and theatrical artists join hands to form an unprecedented creative mode and strong, this model has been applied so far.