在中国传统审美思想的影响下,中国古代工艺设计一直崇尚简朴的风格。虽然个别时期的个别设计也有极尽雕琢之能事的情况,但从总体上讲,中国古代的工艺设计者对外观形式基本上都是强调适度,反对华丽奢侈的。随着时代的发展,当物品的设计是可以被理解的、易于管理的、令人愉悦的,在适度的情况下,在适合的时间里,我们渴望的是复杂。简约朴素之美已经不再是至高无尚的美的典范,复杂性也是必须存在的。实际上,通过基于良好沟通的设计,复杂是可以被管理的,从而生产出最实用的产品。 Under the influence of traditional Chinese aesthetic ideas, the ancient Chinese craft design always advocated the simple style. Although the individual design of individual period also has the ability to do great things, but in general, the ancient Chinese craft designers are basically on the appearance of the form of emphasis on modest, against luxuriant luxury. With the development of the times, when the design of the articles is understandable, manageable and pleasing, we are craving for sophistication in the right circumstances at the right time. The simplicity of simplicity is no longer the supreme beauty of the model, the complexity must exist. In fact, complexity can be managed through good communication-based design to produce the most useful product.