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20世纪上半叶是中国社会变革相当激烈的一个时期。这种变革体现在社会的各个方面,中国画的改革就是其中之一。本文认为,对于如何改革中国画,基于对中国画价值的不同判断而形成了不同的认识。俞剑华先生在肯定中国画的价值的基础上,提出了“融合中西”的写生理论,并按画种进行了详细的阐释,具有较强的实践性与可行性。
The first half of the twentieth century was a period of intense social change in China. This change is reflected in all aspects of society, the reform of Chinese painting is one of them. This paper argues that different opinions have been formed on how to reform Chinese painting based on different judgments on the value of Chinese painting. On the basis of affirming the value of Chinese painting, Mr. Yu Jianhua put forward the sketch theory of “integrating Chinese and Western” and elaborated it in detail according to his paintings, which is of strong practicability and practicability.