明清以来,文人画愈演愈烈,大量“以书作画”的文人不求“形似”只为传达心中“意韵”的绘画追求,整个画坛充斥着平庸的画作,同时摹古之风盛行。就在这样的时代背景下居巢居廉没有为流风所牵制,受清代初期恽寿平的影响,结合自己身处岭南乡土田园之间,提出“宋人骨法元人韵”的道路并付诸实践,实现了第一次将中国画的工笔与写意相融合,采工笔写意之长,以写生为基础,描绘岭南乡土田园间的花卉虫草,找到了表现岭南特色的契合点。 Since the Ming and Qing Dynasties, the literati paintings intensified. The literati who used a large number of books for painting did not ask for the “shape” only for the purpose of conveying the painting’s meaning in their hearts. The painting was full of mediocre paintings, The prevalence of the wind. In such a background of time, Juchaojujian was not restrained by the flow of wind. Due to the influence of Gao Shouping in the early Qing Dynasty and his own living in Lingnan, In practice, we realized for the first time the integration of the fine brushwork and the freehand brushwork of Chinese painting, taking the long brushworking style and based on sketching as the basis to depict the flowers and plants of Cordyceps in Lingnan native garden and found the meeting point of the characteristics of Lingnan.