2006年“十·一”的前两天,我观看了一场个人作品音乐会。那天观众十分踊跃,现场气氛也相当热烈、火爆。当演出结束,作曲家走上舞台向观众致谢时,观众的情绪更是达到了高潮,台下响起了长时间的掌声。其实,经常出入音乐厅的人都知道,上述场景,是音乐会演出中常见的一幕。然而,如果你得知那天的观众面对的作品出自一位头顶没有名人光环的非职业作曲者——李建军,那么,得承认,这一切就有了不同寻常的意味。那天演出的作品共20首,它们包括童声表演唱《小鸟与梅花鹿》、组唱《风雪中飞出一群小鸟》、独唱《我多像一只小鸟》、二重唱《小雪橇》和合唱《太阳钟,月亮琴》、《绿色的大蝈蝈》等,男、女 Two days before “Ten One” in 2006, I watched a solo concert. The audience was very active that day, the atmosphere is also very warm, hot. When the performance was over and the composer stepped onto the stage to thank the audience, the audience’s mood reached its climax, and the audience applauded for a long time. Actually, people who often go to the concert hall know that the above scene is a common scene in concert performances. However, if you learn that the audiences’ works on that day came from an unprofessional composer named Li Jianjun who does not have a celebrity aura, you have to admit that all this has something unusual. There were 20 performances on that day, including the performance of “Little Birds and Sika Deers”, the group singing “A group of birds flying in the snow,” the solo “I like a little bird”, the duet “Toboggan” and the chorus “The Sun Bell, moon piano ”,“ green big 蝈 蝈 ”and so on, male and female