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一位如今十分走红的编剧曾说过这样一句话,生活是结构剧本的一把钥匙。这话大体可以从两个方面来理解。一个方面,剧本是生活的断面,生活的波折就是剧本情节的起伏;另一个方面,剧本是生活的显微镜,它呈现的是我们肉眼无法看到、甚至不愿看到的内面。对于第一种理解,敢于直面当今中国影坛诸种现状的、有良心的人都会发现,原本多彩的生活经过所谓艺术的“创作”而被大大地简单化了。电影简直成了搓起生活碎片的簸箕,或是斩断所有生活筋骨的搅肉机,甚至是一块躲在生活阴湿处的地衣和苔藓。《非常夏日》在这个时候的出
One writer who is very popular nowadays has said that life is a key to structural script. These words can generally be understood from two aspects. On the one hand, the script is the cross section of life. The twists and turns of life are the ups and downs of the scenario. On the other hand, the script is a microscope of life, showing the inside that we can not see or even see. For the first kind of understanding, those who have the courage to face various present-day Chinese cinema situations will find that the originally colorful life has been greatly simplified through so-called “creation” of the arts. The movie has simply become a dustpan that rubs the debris of life, or a chopper that cuts off all the bones of life, or even a lichen and moss hiding in the dank shadows of life. “Very summer” at this time out