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钟器铭文体现的音乐理论是先秦贵族精神观念的载体，是构成贵族社会礼乐文化的重要内容。本文通过对周代钟乐名称的考订，对先秦乐钟的发展和音乐理论进行初步的整理，在此基础上探讨周代社会的宗教观念、政治观念和音乐理论；通过对竹简帛书中的音乐理论及“乐章德”思想的研究，对上古音乐理论发展的脉络有进一步的廓清。“和”的思想是上古音乐思想中一以贯之的“道”，体现为音乐的五声六律之自然协和、神人以和、和于政以及“和于德”的思想，在此基础上终于形成了兼综天人的大体系。
The musical theory embodied in the inscriptions on the bell is the carrier of the aristocratic spiritual concept of the pre-Qin Dynasty and an important part of the ritual and music culture of the aristocratic society. Based on the examination of the name of bell music of the Zhou dynasty, this article preliminarily organizes the development of music bell of the pre-Qin period and the music theory, and on the basis of which, it discusses the religious concepts, political concepts and music theory of the Zhou dynasty society. The study of “Music Zhangde” thought further clarifies the context of the development of ancient music theory. The thought of “harmony” is a consistent “Tao” in the thought of ancient music. It manifests itself in the natural harmony of the five principles of the music, the harmony and unity of the God, and the political and " The formation of a comprehensive system of human beings.