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意境审美,是我国艺术实践和艺术理论上众说纷纭的重要课题之一。本文则对静物油画意境的营造是艺术创作者生活品质的体现,这一个小点上作简要论述。我们知道艺术只是文化表达的载体,而东西方文化的差异,致使我们看到了外表不同的艺术表达方式。静物画经久不衰,且一直与人们的生活密切相关特别是印象派以后,绘画创作者不再仅仅满足于对客观自然的描绘,他们开始关注东方文化,开始在绘画艺术创作时运用带有东方审美特征的艺术元素,自印象派开始至后面的现代绘画,在我看来是与中国的传统绘画中,对意境的追求有着相近的共同点,不管是东方还是西方,在绘画创作中,更加专注与主观心理的表达,西方的不过是具象与抽象之别,中国传统绘画追求的是似与不似间,这样看来,虽然体异,其实性通。对于静物油画运用意境理论的角度进行分析,对于未来静物油画的创新与融合都是有意义的,也是很有必要的。
The aesthetic mood is one of the most important topics in the art practice and art theory of our country. This essay will give a brief exposition of the creation of still life oil painting mood as the life quality of art creators. We know that art is only a carrier of cultural expression. The differences between Eastern and Western cultures have led us to see different artistic expressions. Still lifes enduring, and has always been closely related to people’s lives Especially after the Impressionist, the creators of the painting are no longer satisfied with the portrayal of the objective and the natural. They begin to pay attention to the oriental culture and begin to apply oriental aesthetics The artistic features of the feature, the modern painting from the beginning of Impressionism to the back are, in my opinion, similar to the pursuit of artistic conception in China’s traditional painting. Whether in the East or the West, painting is more focused on Subjective and psychological expression, the West is nothing but the difference between the image and the abstract, the traditional Chinese painting is the pursuit of similar and not like this, it seems, although the body is different, in fact, through nature. Analyzing the still life oil painting from the perspective of artistic conception is of great significance and necessary for the future innovation and fusion of still life oil painting.