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电影是广大观众最喜闻乐见的艺术形式之一,而其重要的组成部分——电影音乐,是影片成功与否的另一个关键要素。凡是经久不衰的经典影片,其电影音乐大多也堪称尚品,跟随影片流传百世,有的甚至脱离电影成为独立的艺术品供世人欣赏,因此电影音乐的民族化处理就显的格外重要。当下很多学者都撰写了具有较高质量的文章来探讨怎样走出电影音乐民族化之路,在此从创作、审美、接受者三个方面来分析电影音乐中的民族素材,尤其是少数民族音乐的运用,希望能够为中国电影音乐的民族化道路发展做出自己的贡献。
Movies are one of the most popular forms of art for the majority of viewers, and its important component, movie music, is another key element in the success of the film. For those enduring classic movies, most of their movie music is also a good product. Following the spread of the film, some are even independent of the movie to become an independent piece of art for the world to enjoy. Therefore, the nationalization of movie and music is especially important. Nowadays, many scholars have written articles with high quality to explore how to get out of the nationalization of movie music. From this perspective, we analyze the national material in movie music, especially the minority music I hope I can make my own contribution to the nationalization of Chinese film and music.