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自述:长期以来,我从事综合绘画与综合媒介的创作。自20世纪70年代末至80年代、90年代以来,中国当代艺术在一种纷繁复杂与激荡的思想与实践中前行。一路过来,艺术的理想,对生命、对人与自然这些终极命题的关注,一直通过我的作品,通过许多的细碎对象表现出来。从形态学而言,传统艺术的当代化是我的重要命题,并对相关各种语言的复杂关系进行有效的把握,
Readme: For a long time, I was engaged in the creation of a comprehensive painting and integrated media. Since the late 1970s to the 1980s and 1990s, Chinese contemporary art has been moving forward in a complicated and stirring thought and practice. All the way through, the ideals of art, the concern for life, the ultimate proposition of man and nature, have always been manifested through my work, through many of the fine objects. From the perspective of morphology, the modernization of traditional art is an important proposition for me, and an effective grasp of the complex relationship between various languages,