他们想把生产限定在“有用的物品”之内,但却忘记了生产太多“有用的”物品结果会导致太多“没用的”人。——卡尔·马克思设计哲学和设计师的自身形象已经成了一系列震动的牺牲品。20多年前,设计师基本上把他们自己看作是艺术家,能够通过他们对于形式、功能、颜色、质地、和谐和比例的把握弥合技术与市场之间的裂痕。对于一个工业设计师或建筑师来说,它需要进一步关注的就是成本、便利和“趣味”。但不到10年,设计师的角色 They want to limit production to “useful items ”, but forget too much production “useful ” items result in too many “useless ” people. - Karl Marx’s philosophy of design and the designer’s own image have become victims of a series of shocks. More than 20 years ago, designers basically regarded themselves as artists, able to bridge the rift between technology and the market with their mastery of form, function, color, texture, harmony and proportions. For an industrial designer or architect to pay more attention to it is cost, convenience, and “fun.” But less than 10 years, the designer’s role